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Santa Barbara News Press
Wednesday, April 24, 2002
Guillaume leads powerful Speaking of Stories
by Michael Smith
(Reprinted
with permission from the Santa Barbara News-Press)
An exhibition at the Karpeles Manuscript Library
of artifacts from the Henrietta Marie, a British slave ship sunk off the Florida
keys by a hurricane in 1700, has revived local awareness of the vexed subject of
slavery and inspired at least two theatrical spinoffs.
Speaking of Stories offered an affecting tribute to the Henrietta
Marie exhibit Monday at the Lobero Theatre. A play on the
subject, "Ayo’s Journey," will open May 3 at Center Stage Theater.
The
usual Speaking of Stories format presents individual actors reading and to some
extent acting out short stories by notable writers. On this occasion, five
actors centered on the eminent Robert
Guillaume took the stage at once to interweave a
collage of excerpts from a wide range of sources assembled by artistic director
Karin delaPena.
First-person
recollections of conditions on the slave ships and the plantations and detailed
accounts of slave auctions brought alive the horror of an institution that
equated human beings with capital. Reminiscences of traditional life in Guinea
poignantly evoked the lost grace of African culture. Historic documents, a poem
and a bit of a play added other perspectives. The readings were interspersed
with well-chosen recorded music and a capella singing by the talented Mahli
Magee.
Surprisingly, the
inherent power of the material was not dissipated by the fragmentation of Ms.delaPena’s approach. Going on longer about the appalling
misery of the enslaved Africans would have become unbearably guilt-inducing for
the mostly white audience. Changing the subject often and varying the tone kept
reawakening our attention before we could take refuge in numbness. But the brief
two-part evening accumulated considerable impact. What indeed are we to make of
the monstrous cruelty human beings inflict on each other? What can we do to end
it?
Mr. Guillaume’s
deep voice and accomplished presence accounted for some of the best moments,
especially when good writing came his way. Langston Hughes’
poem, ‘The Negro Speaks of Rivers," was magnificently eloquent A wry,
pointed excerpt from August Wilson’s play, "Ma Rainey’s Black
Bottom," was the longest selection of the evening and gave the three black
actors a chance to interact, it was delightful. Mr. Guillaume as Toledo had the
most to say and made every word count Rashad
El Amin, who put on a distracting accent when he was reading alone, came
alive in the Wilson scene. Indigo
was terrific throughout the evening, bringing a wonderful ear for dialect and
powerful feeling to her readings.
Dan
Gunther and Sheelagh
Cullen were excellent as the white voices. The whole evening was crisply
staged by Ms. delaPena.
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